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THE WONDER YEARS:

FOR US THE LIVING

 

A follow-on movie-length script

based on the 1988-93 ABC-TV series

Written by

Lyle Francis Padilla

545 Shetland Court

Sewell, New Jersey 08080

Phone: 856-374-0474

eMail: lpadilla@voicenet.com

 

 

AUTHOR'S NOTE

 

This work is intended as a movie-length revival of the ABC-TV series The Wonder Years, which ran from 1988 to 1993. It had been my hope and vision that this miniseries be aired in the Spring of 1995 to commemorate the 20th anniversary of the end of the Vietnam War.Now that that time has passed, I only offer it for your entertainment.

 

Some friends of mine who have read shortened versions of this script raised the initial criticism that the story was "too Lyle Padilla specific" and too autobiographical lacking the universality which was the mark of the series. The majority of those criticisms were promptly retracted as those readers got into the flow of the story. To those for whom that criticism persists, I simply maintain that, like Kevin Arnold, Winnie Cooper and Paul Pfeiffer, I was born in 1956 and graduated from a suburban high school in 1974. Like Kevin, my first car was a beat-up 4-door light metallic blue mid-1960s Olds Cutlass. I think that elements of my own personal life story ought to carry as much weight and credibility as the next person's as a storyline for The Wonder Years. I understand that a great many of the series scripts were based on individual experiences.

 

There are many intentions behind this script, not the least of which is to offer an alternate outcome for those fans of the series who share my sense of betrayal and outrage at the way the series ended, with Kevin and Winnie failing to keep their promise to stay together, particularly with the hints that the two of them had lost their virginity together. The basic idea for this script was conceived well before the final episode aired; I had initially decided to press on with the final draft while simply ignoring the last few minutes of that last episode, but then a burst of creativity gave me the means to accommodate those last minutes in a way that I think the audience will appreciate.

 

As stated, the original idea for this script was conceived a long time ago; to be exact, when I saw the pilot episode of the series which ended with the death of Winnie's brother Brian. I wish at this point to remind the readers/audience that at the time The Wonder Years premiered in 1988, there was another TV series on the air which was produced by the same studio and also depicted events 20 years in the past; that series was Tour of Duty, which chronicled the experiences of an infantry platoon in Vietnam. I had always seen Tour of Duty and The Wonder Years as two sides of the same coin, i.e. the battlefront and home front of the Vietnam War. My original idea was for a combined Wonder Years/Tour of Duty script, with Tour of Duty's Lieutenant Myron Goldman (played by Stephen Caffrey) turning up as a captain and the ROTC Commandant of Cadets at the college Kevin and Winnie attend. As the story evolved in my mind, however, the background of the character of Myron Goldman became too unwieldy and incompatible with the story development, and necessitated the creation of the character of "Mad Tom" Ward in his place. I have written the story, however, with Mr. Caffrey still clearly in mind to play the part.

 

[As an aside, the name of Thomas Ward comes from the first and middle names of a Union Cavalry officer who was the highest decorated soldier of the Civil War, with two Medals of Honor. His accomplishments were equivalent to those of Alvin York in World War I and Audie Murphy in World War II; but his name never became a household word like Sergeant York's or Captain Murphy's largely because he lived in the shadow of his older brother, a general whose overall campaigns were constantly in the headlines and limelight. Thomas and his brother both made a career of the Regular Army, and were killed together fighting the Sioux and Cheyennes in Montana in 1876.]

 

Inasmuch as the characters of The Wonder Years serve as a microcosm of my generation, the idea was irresistible for a story where Winnie serves as a microcosm of America coming to terms with Vietnam and beginning the healing process. Coupled with that was my long-planned intention to someday write a story depicting what it was like being an ROTC cadet during the Vietnam War. Those concepts served as the nucleus for this script. As the news broke of the impending termination of the series, rather prematurely in the opinions of myself and many other fans, I felt that its eventual return would be greatly welcomed. It is clear, too, that such a return would not be viable without Winnie; in fact, it is clear to me that the series' greatest nose-dive in ratings, during the 91-92 season, was due to her being written out of the episodes for virtually the entire first half of that season.

 

This script is dedicated those fellow alumni of the Air Force and Army ROTC Cadet Corps at Rutgers University who endured the spitting and anti-military epithets of the Vietnam War era with me. In the movie Heartbreak Ridge, there is a scene where Clint Eastwood's character, an old Marine gunnery sergeant, encounters a colonel to whom he seems familiar. As Eastwood puts it upon learning that he and the colonel were in the same regiment in Vietnam, "We sure as hell chewed on some of the same dirt!"

 

Lyle Francis Padilla

Captain, Armor

New Jersey Army National Guard

Rutgers College Class of 1978

 

Turnersville, New Jersey

April 1996

 

 

 

 

EXT DAY- A MILITARY CEMETERY. (1968)

(Scene from Series Episode of March 22, 1988) A wide shot shows rows upon rows of neatly lined headstones. Far in the distance, a funeral is taking place.

 

A SERIES OF CLOSER SHOTS shows a flag-draped casket suspended over a grave, with MOURNERS gathered to one side, a CLERGYMAN at the other side, and a uniformed HONOR GUARD lined up behind the head of the casket. KEVIN ARNOLD and WINNIE COOPER, both aged 12, are among the mourners, Winnie at the side of the casket, and Kevin with his father JACK, mother NORMA, sister KAREN and brother WAYNE at the foot of the casket. The clergyman delivers a benediction.

 

NARRATOR

Brian Cooper lived across the street from me, and his death changed my life forever.

 

CLERGYMAN

We must have faith, that none of God's children die in vain....

 

Kevin's glance shifts from the clergyman toward Winnie, who stands blinking and fighting back tears, and briefly glances back toward Kevin.

 

NARRATOR

His sister Winnie had been my childhood playmate. On the day he died, I found Winnie alone in Harper's Woods and held her while she cried in my arms, and at that moment, she went from being my playmate to becoming the one true love of my life. For many years, I watched Winnie and her parents grieve and mourn their loss, and I grieved and mourned with them.

 

INT DAY- A WARD IN AN ARMY EVACUATION HOSPITAL.

from a viewpoint behind the shoulder of a PATIENT in a bed with severe burns on his legs and a gunshot wound in one thigh. A cavalry TROOP COMMANDER (a captain) sits at the bedside conversing with the patient.

 

PATIENT

Captain, I'd like to put Cooper in for a DSC.

 

TROOP COMMANDER

It's done. Andujar requested it. I forwarded the paperwork to Squadron before I came here. Along with a recommendation for you.

 

PATIENT

I don't deserve a damn medal, sir! It should've been me going home in a box, not Cooper!

 

The troop commander pats the patient on the shoulder consolingly.

 

TROOP COMMANDER

Don't punish yourself! You and Cooper both went above and beyond.

(quickly, to change the subject)

Before I forget. Do you have a little sister named Gwendolyn?

 

PATIENT

No, sir. Cooper did. Why?

 

The troop commander pulls a plastic-laminated wallet-sized photo of Winnie Cooper, age 12, from his pocket and shows it to the patient.

 

TROOP COMMANDER

Our medics found this on the floor of their track. They weren't sure whose it was.

 

The patient reaches for the photo and reads the inscription on the back: "To the coolest big brother in the world. Love, Gwendolyn."

 

PATIENT

I'll take it, sir. I'm the one going home alive. I'll see that she gets it back someday. Only... what do I say to her? How the hell do you explain the 'Nam to a little girl like this?

 

NARRATOR

What none of us knew was that there were others out there to whom Brian Cooper had been a brother, and that they, too, mourned his loss, and remembered him.

 

RUN OPENING CREDITS.

 

INT NIGHT- A BARN (1973)

(Scene from Series Episode of May 12, 1993) Kevin and Winnie, aged 17, sit with their backs leaning against opposite sides of a stall divider. Both are soaking wet with Winnie bundled up in a horse blanket, and both are forlorn and angry at each other. A thunderstorm rages outside.

 

WINNIE

... It's not like we're kids anymore. Everybody grows up. It's not like Peter Pan or something.

 

KEVIN

But somehow I thought... we'd be together, you know.

 

WINNIE

(smiling sadly)

Yeah. Together forever.

 

KEVIN

(pause)

It's not going to happen, is it?

 

WINNIE

(softly and hesitantly)

No....

 

They both close their eyes in anguish.

 

A gust of wind blows the barn door open. Kevin gets up and moves across his stall toward the door.

 

KEVIN

What was that?

 

A lightning bolt creates a ghostly image near the door. Kevin screams and vaults over the divider into Winnie's stall. Gasping, he slowly stands up and looks again at the door, where a horse snorts at him. He laughs, continuing to look at it.

 

KEVIN

Did you see that? It's a horse! God! It practically scared me to death! Can you believe that?

 

We hear Winnie sobbing. Kevin looks down to find her with her eyes shut tight, weeping. He looks open-mouthed at her.

 

KEVIN

Winnie?...

 

Winnie looks up at him, tears streaming.

 

WINNIE

I don't want it to end!

 

Kevin kneels down next to her and kisses her. She smiles, opens her horse blanket and reaches out to partially cover him with it, and they embrace with long, tender, passionate kisses.

 

NARRATOR

Once upon a time, there was a girl I knew, who lived across the street, brown hair, brown eyes. When she smiled, I smiled. When she cried, I cried. Every single thing that ever happened to me that mattered, in some way had to do with her.

(pause)

That day, Winnie and I promised each other that, no matter what, that we'd always be together. It was a promise full of passion. And truth. And wisdom. It was the kind of promise that can only come from the hearts of the very young.

 

DISSOLVE TO:

 

INT DAY- THE KITCHEN OF THE ARNOLD HOME (1973)

Kevin, Winnie and Paul sit at the table, filling out college admissions applications.

 

NARRATOR

Winnie and I never forgot our promise. And just because we were very young, that didn't mean we weren't going to keep it. It's just that, being very young, Winnie and I hadn't even begun to learn what "no matter what" really meant.

 

KEVIN

Okay. Let's suppose everything works out, and we all get accepted everywhere we apply.

(to Winnie)

Where are we gonna go?

 

WINNIE

(thoughtfully)

Well... I've really got my heart set on Ruysdael. It's almost up there with Harvard and Princeton. And it's far enough away that we're really going away to college, but close enough that we can drive home in a couple of hours whenever we have to.

 

KEVIN

(smiles)

Okay! Let's hope for Ruysdael, then. How about you, Paul?

 

PAUL

Ruysdael sounds good.

 

WINNIE

Really?

 

PAUL

Uh huh. For the same reasons you just said.

 

WINNIE

Yeah, but you've actually applied to Princeton and Harvard!

 

KEVIN

You'd actually pick Ruysdael over Harvard and Princeton, just to be with us?

 

PAUL

Hey, don't knock Ruysdael! Just because it's closer to home doesn't mean it's not as good as the other places. Besides, except for the one semester I did at the prep school...

(to Winnie)

and the year you did at Lincoln, the three of us have been together our entire school career. Why break up such a great team just when the four most critical years of school are coming up?

 

Kevin and Winnie smile at him and pat him on the shoulder.

 

KEVIN

Thanks, Paul. That means a lot! To both of us!

 

INT DAY- A HALLWAY AT McKINLEY HIGH SCHOOL.

Kevin, Winnie and Paul converse as they walk to class.

 

NARRATOR

And there you had it. We had our dreams and our plans and our hopes. All we had to do was play out the last few months of high school.

 

INT DAY- THE ARNOLD LIVING ROOM.

Winnie and Paul stand watching as Kevin sorts through the mail.

 

NARRATOR

And keep checking the mail to see what the future held.

 

Kevin finds an overstuffed envelope.

 

KEVIN

(excitedly)

This is it! A fat envelope from Ruysdael!... This looks like good news!

 

He opens the envelope and pulls out the cover letter, then reads it as Winnie and Paul watch anxiously.

 

KEVIN

"Dear Mr. Arnold. Congratulations! We are pleased to inform you that you have been accepted as an incoming Freshman at Ruysdael University for the Fall 1974 semester!"

 

Winnie squeals delightedly and leaps into Kevin's arms. Paul puts his arm across Kevin's shoulders, laughing.

 

PAUL

All right! Three for three! Ruysdael, here we come!

 

They separate and head for the kitchen.

 

KEVIN

Mom! I got accepted at Ruysdael! All three of us did!

 

INT NIGHT- THE ARNOLD KITCHEN.

Jack and Kevin sit at the kitchen table, looking over the family bank books and the admissions packet from the school.

 

NARRATOR

But, as with everything else in life, it wasn't quite that simple!

 

JACK

I'm sorry, Kevin. It just doesn't add up. I can go ahead and send you to Dixon State, but if you want to go to Ruysdael, you're going to have to come up with the difference yourself.

 

KEVIN

(despairingly)

How, Dad? I can't get a big enough student loan to cover it! I'm not eligible for any grants. I got the grades and SAT scores to get in, but not for one of their scholarships.

 

JACK

I know Al Pfeiffer's selling off some of his real estate to pay Paul's way in, but how's Winnie going to afford it?

 

KEVIN

Her parents put Brian's life insurance into a trust fund for her.

 

JACK

That's what I thought. It's a helluva way to come up with cash....

(puts his hand on Kevin's shoulder)

Believe me, Kev. I wish I had the cash to send you to Ruysdael. It's a damned good school, and I'm proud you got accepted. And if you can think of a way to make up the difference, I'll do what I can to help you. But if you can't, Dixon State isn't the end of the world.

 

INT NIGHT- KEVIN'S CAR

parked at "The Point" with Kevin and Winnie snuggling in the front seat. Eres Tu by Mocedades plays on the radio.

 

WINNIE

Kevin, Dixon State isn't the end of the world! I don't have to go to Ruysdael, you know. I'll go wherever you go! Why do you think I applied to all the same schools you did?

 

Kevin looks into her eyes with pain.

 

KEVIN

No, Winnie! You had your heart set on Ruysdael. You can afford to go there, so don't let me keep you from going!

 

NARRATOR

To this day, I'm not sure why I said that. It was one of the hardest things I had to say. Saying yes would have been the easiest, and in my younger days, I would have. But we were older now, more mature, crossing the threshold into legal adulthood.

 

WINNIE

Kevin, it won't be you who's keeping me! It's my choice!

 

KEVIN

Winnie, if you gave up Ruysdael just to be with me, you'd always resent it deep down inside. You'd end up resenting me.

 

WINNIE

(pausing thoughtfully)

I don't know.... I'd try not to.... But maybe you're right.

 

KEVIN

It'll work out somehow.... Look, how far is it from Dixon State to Ruysdael? A half hour drive? That's less than it took me to ride my bike to your house after you moved, before we got our licenses....

 

Winnie blinks and frowns.

 

NARRATOR

And then something weird happened. Something very, very weird.

 

WINNIE

No, Kevin, that's not good enough!... This may sound silly... I never told you this, I never told anyone this, but the night we spent in that barn... I had this dream. When I woke up, I was so happy to see you that I pushed it out of my mind immediately. But in this dream, for some reason, I went away to school somewhere.... I'm pretty sure it was Paris.

 

Kevin turns white with shock, his mouth hanging open.

 

WINNIE

And then by the time I came home years later...

 

KEVIN

I was married to someone else and had a child.

 

 

Winnie gasps and also turns white.

 

WINNIE

Oh, my God! How did you know?

 

KEVIN

Winnie, I had the exact same dream! That same night, in the barn!

 

They both stiffen and stare wide-eyed into each other's eyes.

 

WINNIE

This is absolutely weird!

 

KEVIN

(laughs nervously)

Yeah! I mean, we've always talked about being on the same wavelength and being able to read each other's minds, but this is something entirely different.

 

WINNIE

I don't know what your dream was like, but mine was so vivid! It was like we were actually transported to the future, and back!

 

KEVIN

Yeah! Mine, too! It was like Scrooge or that Jimmy Stewart movie or something!... But Winnie, that could never be our future! I mean, you're the only girl I could ever want to be the mother of my children. Even before I knew where babies came from, as soon as I was old enough to know that every kid had a father and a mother, I've always wanted it to be you and me.

 

WINNIE

Yeah. Me, too... but that dream was so real and so scary that... in September, Mrs. Ruebner gave me a catalog and an application to the Sorbonne in Paris. I didn't even ask her for it, she just had this idea that since I studied French and with my grades and SAT scores, it might be something I'd enjoy. But, Kevin, I got so freaked out that I tore them up and threw them in the trash as soon as I left the guidance office!

 

KEVIN

(laughing nervously)

Thanks, Winnie.

 

WINNIE

Yeah.... But ever since you told me your family couldn't afford to send you to Ruysdael...

 

KEVIN

You've been having the dream again!

 

WINNIE

You, too, huh?

 

Kevin nods.

 

WINNIE

But why Paris? That first time was way before Mrs. Ruebner came up with that catalog.

 

Kevin stares thoughtfully for several seconds, then blinks.

 

KEVIN

I think I know! Remember the first time I rode my bike to your house after you moved? When I got there, I said I felt like Charles Lindbergh...

 

WINNIE AND KEVIN

... flying from New York to Paris!

 

They laugh, and then hold each other close.

 

KEVIN

Okay... but that still doesn't explain how we both had the exact same dream at the exact same time. Or why.

 

WINNIE

Kevin, maybe we'll never know how. But I think it's a warning to both of us. I guess most dreams like that are.

 

KEVIN

Okay, so it's a warning! We're just not gonna let it happen, Winnie! I don't know how yet, but somehow, some way, come Hell or high water, I'm gonna find a way to afford to go to Ruysdael!

 

INT DAY- THE MCKINLEY HIGH GUIDANCE OFFICE.

Kevin enters the inner office of his counselor, MRS. RUEBNER, who is seated at her desk. Next to her desk is seated SERGEANT FIRST CLASS COUSINS, an Army recruiter dressed in a Class A dress green uniform.

 

NARRATOR

Or it would find me!

 

MRS. RUEBNER

Kevin, this is Sergeant Cousins. I think he might be able to help you.

 

Kevin looks at SFC Cousins and halfheartedly shakes his hand.

 

KEVIN

Hi.

 

SFC COUSINS

Pleased to meet you, Kevin.

 

Kevin sits.

 

SFC COUSINS

So. Mrs. Ruebner tells me that you're having problems coming up with the money to attend the college of your choice.

 

KEVIN

Yeah. Thanks. But I don't think your kind of help is the kind that would be very helpful to me at this point....

 

NARRATOR

Yeah! Another one of Mrs. Ruebner's brilliant ideas, like packing Winnie off to the Sorbonne!...

 

SFC COUSINS

(smiling)

You sound pretty sure about that, Kevin. But hear me out! What I've got to offer just might be one of the best kept secrets in college financial aid!

 

KEVIN

No, thanks. I already know about the G.I. Bill. I'm sorry, but there's no way I'm going to enlist in the Army for three years just so I can get free college tuition after those three years are up. I need to get into college this year!

 

SFC COUSINS

Really! Ruysdael University, right?

 

KEVIN

Yes. Now, if there were some way the Army could pay my way through college first, and then I could serve my time, I'd be more than happy to consider it!

 

SFC Cousins and Mrs. Ruebner smile at each other.

 

SFC COUSINS

Bullseye!

 

KEVIN

(doing a double-take)

Excuse me?

 

SFC COUSINS

Kevin, what do you know about the Army Reserve Officers Training Corps?

 

KEVIN

R-O-T-C? Well, my Dad went through Navy R-O-T-C in college to become an officer in the Marine Corps. He was telling me I should sign up for one of the R-O-T-C programs if I got into Dixon State or Ruysdael, just for the learning experience. I mean, you don't have to actually serve unless you do the whole four years, and you can drop out any time before your junior year. Right?

 

SFC COUSINS

That's right, but that's not all. Did you know that the Army offers a full scholarship-- tuition, room and board, books, plus a subsistence allowance-- to students who meet the qualifications? They have to sign a contract to complete the ROTCee program, then serve four years Active Duty as a commissioned officer.

 

KEVIN

(gasping)

A full scholarship?

 

SFC COUSINS

A full scholarship. To any school that hosts Army ROTCee. Which includes Ruysdael. Kind of like a G.I. Bill in reverse order! Only you start your Active Duty tour as a second lieutenant instead of a private.

 

NARRATOR

Bingo!

 

EXT DAY- A BASKETBALL COURT AT A PLAYGROUND.

Kevin and Paul play a game of one-on-one as they converse.

 

PAUL

An Army scholarship?

 

KEVIN

Yeah. I go through the ROTCee program, serve four years as an officer after graduation, and I don't pay a cent. I won't have to take any money from my folks, dip into my savings, or take out any loans.

 

PAUL

Have you told Winnie yet?

 

KEVIN

No. I've just put in the application for it. I still have to take some tests, take a physical, get interviewed by a board of officers. It doesn't mean I'm going to get it. Or decide to accept it if I do get it. It's just a possible option. I don't want to get Winnie's hopes up.

 

PAUL

(skeptically)

Yeah. Right.

 

KEVIN

What's that supposed to mean?

 

PAUL

Don't you think Winnie might have some strong feelings about your joining the Army?

 

KEVIN

Well, yeah.... Which is why she doesn't have to know about it yet.

 

PAUL

Kev, we're talking about Winnie here! You know, the love of your life. The girl you're planning on spending the rest of your life with.

(looks harder at Kevin)

Brian Cooper's little sister!

 

KEVIN

Hey, Paul! Vietnam's over! Didn't you hear? Nixon finally bombed the hell out of them, forced them to sign a peace treaty, then everyone went home! It was in all the papers last year!

(pause)

Besides, the whole thing's made the country so isolationist, there's no way we're ever gonna get into another war any time that I'd be in. Stop worrying!

 

PAUL

Hey! I'm not the one who might have a problem with it!

 

KEVIN

Good! Then if I get the scholarship, you can sign up for ROTCee with me!

 

PAUL

What?!?

 

Kevin uses the opportunity of Paul's shock to steal the ball, go out, and make a quick drive for a basket.

 

PAUL

Aw! Cheap trick!

 

KEVIN

No! I'm serious! You don't have to commit yourself to anything for the first two years. And I'd really appreciate having you with me when I go through it, at least at the start.

 

PAUL

Well, I...

 

KEVIN

Come on, Paul! It can't be that tough! I mean, my Dad went through ROTCee. And the Army doesn't try to make you crazy like the Marines do!

 

PAUL

I'll think about it....

 

KEVIN

What've you got to lose? And do you have any idea what the starting base salary is for an Army second lieutenant?

 

INT DAY- A MEDICAL CLINIC.

Kevin sits on an examining table as an Army doctor examines him.

 

NARRATOR

And so I pressed on with it. I passed the physical, no problem.

 

INT DAY- A CLASSROOM.

Kevin is among several young men taking a battery of service entrance tests.

 

NARRATOR

The tests turned out to be a glorified, watered-down version of the SATs. And after all, this was just one option I was exploring. There were a couple of other irons I had in the fire, other scholarships I was looking into, that summer after we graduated from McKinley High.

 

EXT DAY- THE COOPER HOME.

Kevin and Winnie walk from the house to his car at the curb, Kevin dressed in a blazer and tie.

 

NARRATOR

Which is why I figured I didn't have to tell Winnie exactly who I was dealing with at the time.

 

WINNIE

Good luck!

 

KEVIN

Yeah. Thanks. I'll need it.

 

They kiss, and then he gets into the car.

 

 

INT DAY- A CONFERENCE ROOM.

 

An ARMY INFANTRY MAJOR, an INFANTRY CAPTAIN and an ARMOR CAPTAIN sit at one side of a table in Class A uniform. On the wall behind them is a large color photo of General George S. Patton, flanked by a U.S. flag and a Department of the Army flag. Kevin enters, wearing the same clothes as in the previous scene. He shakes hands with the three officers, and the major tells him to sit.

 

NARRATOR

This was it. The board of officers. The last hurdle.

 

MAJOR

So. Mr. Arnold. Why do you want an Army R-O-T-C scholarship?

 

NARRATOR

Because I'm desperate to go to the same school as my girl friend, and I need the money to do it!

 

KEVIN

Well, sir.... To be perfectly honest, the free tuition is a large part of it.

 

The three officers smile at each other.

 

MAJOR

Well, Mr. Arnold, I'm glad you told us that.

 

Kevin looks alarmed.

 

NARRATOR

Uh, oh! I'd been tripped up, trying to sound too sincere and honest!

 

MAJOR

Integrity is just about the most important trait in a good officer. And let's face it. Money is inherently an important factor for anyone asking for a scholarship. I personally am suspicious of the integrity of anyone who won't admit to it.

 

NARRATOR

Whew! Dodged that bullet!

 

MAJOR

Of course, there are other sources of money out there. Do you understand what the Army is all about? What our mission is, why we exist?

 

NARRATOR

Now, Dad had given me an idea of the kind of questions to expect, so I wasn't unprepared.

 

KEVIN

Well, sir, the way I understand it, the Army's job is to prepare for war and to fight wars to defend the country and its interests.

 

NARRATOR

And speaking of dodging bullets...

 

INFANTRY CAPTAIN

Okay, so you understand that we're in the business of fighting wars. That involves killing and getting killed. How do you know that, if the time ever comes, you'll be able to hold up mentally when people are shooting real bullets at you? Or that you'll be able to squeeze the trigger when there's a real live human being at the other end of your weapon?

 

Kevin glances up at the picture of General Patton.

 

KEVIN

I don't, really.... All I can say is, I'm just your average, ordinary American kid. And if the time ever comes, I've got as much potential to find it within me, as the millions of other average American kids who've fought in all our wars. Just as my father did before me in the Korean War.

 

The officers glance at each other, impressed.

 

ARMOR CAPTAIN

Okay. So you have as much potential as the next man. But is that what you really want? Do you really want to be an Army officer, and why?

 

KEVIN

(pausing thoughtfully)

Well, my parents always raised me to appreciate the good things we have in this country. All the freedom we enjoy, all the rights we're given. And they-- my Dad in particular-always reminded me of the responsibilities that came with those rights. And how all that freedom came through the sacrifices of all the men who've served and fought for our country.

(another thoughtful pause)

And I want to say something else. There were two guys I knew really well, from my neighborhood, who went to Vietnam and fought. One of them, when he came home... well, I watched while other kids from my home town called him a murderer to his face. And the other guy... well, he never got to come home at all. I feel like I personally owe both these guys something. I want to serve.

 

The officers nod to each other, again impressed. They and Kevin begin conversing less formally, smiling and relaxed.

 

NARRATOR

A funny thing happened that day. And I'm not sure how it happened. Like I said, Dad had given me an idea of what kind of questions to expect, so I'd started formulating the answers in my mind that I thought the officers would want to hear. But to this day, I don't know. Maybe hearing the words come from my own mouth forced me to believe them. Or maybe those beliefs were always there, deep down inside, just waiting for a moment like this to be tapped and brought to the surface. In any case, when I left that interview, I suddenly realized that I really did believe what I'd said, and that I'd spoken from the heart.

 

EXT DAY- KEVIN'S CAR

as it travels down a freeway with Kevin at the wheel. He sings along elatedly as Come and Get It by Badfinger plays on the radio.

 

NARRATOR

Those officers didn't come out and tell me that day that I'd earned the scholarship. They said I'd get the final word in the mail. But they also told me I had plenty of reason to be optimistic. And even though it wasn't final, I felt exhilarated. I'd just gone through a major rite of passage into adulthood. I'd taken the largest step up to that point in my life toward independence. Toward manhood. All that was left was to wait for the final word. And if the news was good, to find the right moment to tell Winnie about it.

 

INT NIGHT- THE ARNOLD LIVING ROOM.

 

Kevin and Winnie snuggle up on the couch, watching Errol Flynn as George Armstrong Custer and Olivia DeHavilland as Elizabeth Custer in They Died With Their Boots On on TV. Both appear saddened.

 

WINNIE

So, did the Lambert Foundation ever tell you why they turned down your application?

 

KEVIN

No. You know they never tell you why. I guess they figure my Dad makes too much money or something.

 

WINNIE

(blinking)

And that was the last of the scholarships and grants you applied for?

 

KEVIN

(looking into her eyes, then hesitating)

Yeah.

 

NARRATOR

The last one she knew about, anyway.

 

WINNIE

I don't know, Kevin. I'm not sure I could stand going to Ruysdael without you.

 

KEVIN

Winnie, we've already talked about this. I'll come over from Dixon State to see you. Every day, if you want! I promise!

 

WINNIE

It won't be the same.

 

On the TV, Olivia DeHavilland helps Errol Flynn put on his sword belt in their living quarters.

 

OLIVIA DEHAVILLAND

You know, I'm sure you're the first soldier that ever became a general, without letting his belt out.

 

ERROL FLYNN

Oh ho! But you wait until we get that staff job in Washington after this campaign's over. I'm gonna grow a big tummy on me...

(gestures in front of his belly)

... like General Winfield Scott, you know. HO! HO! HO!

 

OLIVIA DEHAVILLAND

And we'll grow fat and happy together!

 

ERROL FLYNN

Together!

 

OLIVIA DEHAVILLAND

And people will say, "Don't tell me that life in the Dakotas was so full of hardships. Look at General and Mrs. Custer! They certainly grew fat and happy on it!"

 

ERROL FLYNN

You... You have been happy here, haven't you, Libby?

 

OLIVIA DEHAVILLAND

Don't I look happy?

 

Kevin and Winnie look away from the TV and into each other's eyes, both blinking mistily and smiling sadly.

 

NARRATOR

Oh, God! That look! Those vulnerable doe-eyes, looking to me for comfort.... It was time to tell Winnie about my application for the Army scholarship. To pull her out of her despair, to give her that one last glimmer of hope...

 

On the TV, Errol Flynn finds a diary in a dresser drawer and reads it.

 

OLIVIA DEHAVILLAND

...It wouldn't interest you. Just the silly things that seem important to a woman.

 

ERROL FLYNN

"Tomorrow, my husband leaves, and I cannot help but feel that my last happy days are ended. A premonition of disaster such as I have never known is weighing me down. I try to shut it into my heart, but this is almost unbearable. I pray God I be not asked to walk on alone."

 

Kevin grimaces uncomfortably.

 

NARRATOR

Or maybe not!

 

OLIVIA DEHAVILLAND

You know, I probably wrote that or something like it every time you went away, even for a day's journey. You know how foolish women are! Every parting has its own fears and anxieties.

 

ERROL FLYNN

Of course. I often feel like that myself. But it... it has its bright side, too. The more sadness in parting, the more joy in the reunion.

 

Winnie forces a smile at Kevin. On the TV, a bugle sounds in the distance.

 

OLIVIA DEHAVILLAND

Boots and Saddles....

 

ERROL FLYNN

Goodbye .

 

Errol Flynn and Olivia DeHavilland embrace.

 

ERROL FLYNN

Walking through life with you, Ma'am, has been a very gracious thing.

 

They embrace again, and then Olivia DeHavilland swoons as Errol Flynn leaves.

 

Winnie cuddles up closer to Kevin, blotting a tear on his cheek.

 

On TV, Errol Flynn mounts his horse and trots to the front of the Seventh Cavalry. The regiment rides out of the fort into the rising sun, to the strains of Garryowen on fife and drums.

WINNIE

Kevin, let's change the channel. Okay?

 

KEVIN

What? Come on, the movie's almost over. We're coming up on the big climax.

 

WINNIE

Kevin, you know how I feel about war movies.

 

Kevin looks uncomfortably at her, then reaches for the remote and changes the channel.

 

KEVIN

Yeah. I know. Besides, everyone knows what happened to Custer, anyway.

 

NARRATOR

Uh huh. And at that moment, it wasn't just Mrs. Custer who was weighted down with a premonition of disaster!

 

EXT DAY- A SEACOAST HIGHWAY.

Kevin' s car speeds along with him at the wheel and Winnie next to him.

 

MUSIC: Beach Baby by First Class.

 

EXT DAY- A BEACH.

 

Kevin and Winnie, in swimsuits, hold hands as they run into the surf.

 

NARRATOR

Now, mind you, I wasn't being insensitive as to how Winnie might feel about the whole thing, or being cavalier about not telling her about it.

 

The two stand in the surf, laughing playfully and splashing water at each other.

 

NARRATOR

I was just simply in one of the biggest dilemmas of my life. It felt like a no-win situation. At that point, I just wanted to enjoy what I could of that summer, before the situation forced itself on us, one way or another.

 

Winnie leaps off her feet into Kevin's arms, and he whirls her around as he stands in the surf, but there is an underlying sadness in the eyes of both. We hear the lyrics of the song more clearly.

 

SONG LYRICS

"Oohh, I never thought that it would end,

Oohh, and I was everybody's friend!

Long hot days, cool sea haze,

Jukebox plays, but now it's fading away...."

 

INT DAY- THE ARNOLD KITCHEN

Kevin sorts through a pile of mail on the kitchen table.

 

SLOWLY FADE OUT MUSIC.

 

NARRATOR

Now, after nearly a year of filling out applications for college admissions, loans, grants and scholarships, and then awaiting responses to them, I'd learned one thing: good news never came in skinny white business envelopes.

 

Kevin finds a thick manila envelope addressed to him. The return address is headed: "DEPARTMENT OF THE ARMY. HQ U.S. ARMY ROTC. FT BRAGG, NC." He looks at it anxiously.

 

NARRATOR

The funny thing was, I was holding a fat manila envelope, and I had a pretty good idea what was in it. But at that moment, I didn't know whether I really considered it good news or not.

 

INT DAY-THE ARNOLD LIVING ROOM.

Jack and Norma sit on the couch watching TV as Kevin enters from the kitchen.

 

KEVIN

Mom? Dad?

 

JACK

Yeah, Kev?

 

KEVIN

I got a packet in the mail from the Army. They've awarded me the ROTCee scholarship. If I accept, I can go to Ruysdael, all expenses paid.

 

Norma smiles excitedly, gets up and embraces him.

 

NORMA

That's great, Honey! Congratulations!

 

Jack shakes Kevin's hand.

 

JACK

Congratulations, Kev! I'm real proud of you.

 

They all seat themselves. Jack shuts off the TV with the remote.

 

KEVIN

Of course, that means I'd have to serve four years in the Regular Army after I graduate.

 

JACK

We know.

 

KEVIN

And it's okay with you?

 

JACK

Kev, you're a legal adult now. You're old enough to make your own decisions. And I think you could do a helluva lot worse than four years as an Army officer with a diploma from Ruysdael.

(smiles)

Of course, I am partial to the Marines, and to Navy ROTCee, I wish they'd had ROTCee scholarships in my day!

 

NARRATOR

Now, of course, I was proud to have the scholarship! Of course I was glad to receive my parents' congratulations. I just... wasn't prepared to have the whole thing be a done deal that fast!

 

KEVIN

But I remember when Wayne tried to enlist, you tried to stop him. You called him a young dumb kid!

 

JACK

He was. You won't be. You'll have four years of college under your belt before you go on active duty. And you've always been more responsible than your brother.

 

KEVIN

That's not true, Dad. I'm not as responsible as you think. Like... remember the weekend the two of you went away to Cousin Iris's wedding, and the house got trashed with a wild party? You made Wayne clean up everything.

 

Jack and Norma nod.

 

KEVIN

That wasn't Wayne's party. That was me and my friends.

 

JACK

(laughs)

Yeah. We know.

 

KEVIN

You knew?

 

NORMA

We sort of figured it out when we saw you washing and polishing Wayne's car afterward.

 

KEVIN

And you didn't punish me?

 

JACK

Well, I figured what you were doing was penance and humiliation enough. And one of the most responsible things I'd ever seen you do. And I apologized to Wayne afterward, and gave him a bonus on his allowance.

(smiles)

Don't sell yourself short, Kevin. You've got a good head on your shoulders.

 

NARRATOR

And there you had it. My parents had given their blessing. But maybe that's not what I was looking for.

 

KEVIN

But... aren't you worried that I might have to go to war someday?

 

JACK

Of course. And I'm glad you're thinking about it. It's the young dumb kids who get sucked in by the security and the benefits and the promise of seeing the world. The ones who lose sight of the fact that the Army and the Marines exist only to go to war. They're the ones who lose it when the bullets start flying for real.

 

KEVIN

Mom?

 

NORMA

Honey, no mother wants to see her son go to war. But I watched your father go to war in Korea years before you were born. It wouldn't be something I haven't had some kind of experience with.

 

There is a moment of silence as Jack and Norma look knowingly at each other.

 

JACK

Kev, isn't there someone else you should be talking to about this?

 

KEVIN

Huh?

 

JACK

The real reason you're so hell-bent on going to Ruysdael in the first place!

 

KEVIN

Oh. Yeah.

 

NORMA

You know, Honey, if you don't want to accept the scholarship, there are a few other choices. I've talked to Mrs. Cooper about it, and she thinks that Winnie would go to Dixon State with you, if you asked her to.

 

KEVIN

I know. But how would Mr. and Mrs. Cooper feel about that?

 

NORMA

Well, they do think that Ruysdael is a much better school, with a much more prestigious reputation. But they would give Winnie the freedom to make that decision herself. All of us know how you and Winnie feel about each other. We've always known. We know that it's no longer just puppy love, that it's a real love and that it's very important to the two of you. And that you're planning on a future together.

 

KEVIN

Well, I could never ask Winnie to give up a chance to go to Ruysdael. Especially now that I've got a chance to go there with her. Ruysdael was my first choice, too.

 

JACK

We just want to make sure you're making the decision for the right reasons. Like I said, you could do a lot worse than four years as an Army officer. But the way you and Winnie feel about each other, this isn't the kind of commitment you should make without talking with her first. You owe her that much.

 

KEVIN

I know, Dad.

 

JACK

You know, Kev. Having said what I just said about having a good head on your shoulders, you have done a few dumb things that have ended up hurting that little girl. And you've been lucky in that she's always managed to forgive you for them. Don't press your luck.

 

KEVIN

I know.

 

NARRATOR

Yeah, I knew what I had to do, all right.

 

INT NIGHT- WINNIE'S DORMITORY ROOM AT RUYSDAEL.

Kevin and Paul help Winnie unpack her things while her roommate, MAUREEN, arranges her own things. Winnie becomes more and more forlorn as they approach completion. We hear I Honestly Love You by Olivia Newton-John coming from Maureen's stereo.

 

Winnie arranges three framed photos on her chest of drawers: a studio portrait of her parents, a Senior Prom photo of herself and Kevin, and a photo of herself at age 12 with glasses and her hair in pigtails, with her brother Brian. Maureen steps over and studies the photos.

 

MAUREEN

Who's he? Your brother?

 

WINNIE

Uh huh.

 

MAUREEN

Hey, he's cute! When do I get to meet him?

 

WINNIE

He's dead.

 

Maureen turns bright red.

 

MAUREEN

Oh.

 

WINNIE

He... he died in Vietnam. Six years ago last week, as a matter of fact.

 

Maureen nods sympathetically. Kevin glances uncomfortably toward Paul, who stares back meaningfully at him.

 

KEVIN

Well, I guess it's time to go.

 

PAUL

Yeah, me too. I've gotta get settled in, too.

 

Winnie takes Kevin's hand as they step toward the door. She casts her head downward.

 

MAUREEN

It was nice meeting you, Kevin.

 

KEVIN

It was nice meeting you, too, Maureen.

(turns to Winnie)

Hey, smile, Winnie! I don't want to see you frowning like this.

 

WINNIE

(forcing a smile)

I miss you already.

 

KEVIN

We're going to be all right! Hey, we survived your moving across town back in Ninth Grade, we're gonna survive this!

 

WINNIE

We didn't exactly survive my moving.... We broke up.

 

KEVIN

And then we found each other again! We've always found our way back to each other, Winnie. You and I have been through too much together not to make it this time. Hey! It's not like Ninth Grade. We're a lot older, and I've got wheels! I'm gonna be a lot closer than you think!

 

WINNIE

(unconvincingly)

Yeah....

 

KEVIN

Hey! At least this isn't Paris, right?

 

WINNIE

(laughs nervously)

No, it's not.

 

KEVIN

I'll be back before you know it! I promise!

 

They embrace tightly. She blots a tear on his cheek, and then they separate very slowly.

 

WINNIE

I'll see you.

 

PAUL

(cheerfully)

Hey, Winnie. Just remember I'm just two flights downstairs. In fact, come by my room in the morning and I'll walk over with you for Freshman Orientation.

 

WINNIE

Sure. Thanks, Paul.

 

INT DAY- A DORMITORY HALLWAY.

Winnie stands holding a notebook before a door with a sticker on it which reads, "Paul Pfeiffer '78." She remains forlorn as she knocks on the door. Paul opens it and steps out in the hall.

 

PAUL

Hi, Winnie. How you feeling?

 

WINNIE

Hi. I'm okay, I guess.

 

PAUL

You sleep well last night?

 

WINNIE

No, not really. How about you?

 

PAUL

Okay, I guess.

 

WINNIE

Has your roommate moved in yet? I notice yours is the only name on the door.

 

PAUL

Yeah, he's inside. In fact, he's going to Freshman Orientation with us.

 

WINNIE

Is he nice?

 

PAUL

(smiling)

I think you'll like him. He's real easy to get used to!

 

Kevin opens the door with a mischievous grin, sticks a sticker below Paul's name which reads "Kevin Arnold '78," then smiles at Winnie. She gasps in disbelief.

 

KEVIN

Come on! We're gonna be late for Freshman Orientation!

 

WINNIE

Kevin!

 

She throws her arms around him, and they hold each other tight.

 

KEVIN

(laughing and stroking Winnie's hair)

See! I told you I'd be a lot closer than you thought!

 

She kisses him, and then after hugging him a little longer, elatedly strokes his face as she draws away.

 

WINNIE

What are you doing here?

 

KEVIN

I told you! We're gonna be late for Freshman Orientation!

 

WINNIE

You're really going to school here?

 

Kevin closes the door, pulls a key from his pocket to lock the deadbolt, then takes Winnie's notebook and cradles it under his arm. They hold hands as they follow Paul toward the stairwell.

 

KEVIN

Uh huh. I'm here to stay! You're stuck with me for four more years. At least!

 

She looks dreamily at him.

 

WINNIE

Then all that stuff about not being able to afford coming here. You just made it all up to surprise me?

 

KEVIN

No, no! That was all true. But I got a scholarship at the last minute. I did want to surprise you. And I didn't want to get your hopes up.

 

Paul glances back at them and then rolls back his eyes.

 

WINNIE

You're really here! I mean... I'm not going to wake up any second now and find myself back upstairs with you on your way to Dixon State?

 

KEVIN

It's no dream, Winnie! I'm really here.

 

WINNIE

Well, whoever gave you that scholarship, I owe them my undying gratitude!

 

NARRATOR

Which was exactly what I was hoping she'd say. Hey! There was a method to my madness! Okay, Winnie. just remember that thought when I tell you the rest of the story!

 

INT DUSK- THE DINING HALL AT RUYSDAEL.

Kevin and Winnie eat at a table facing each other with Paul next to Kevin. Winnie gets up and goes toward the food line.

 

PAUL

How long do you think you can keep this up?

 

KEVIN

Keep what up?

 

PAUL

You know we have our first Military Science class tomorrow. What're you gonna do? Spend the next four years hiding from her whenever you have to wear a uniform? And then what happens after we graduate? No, don't tell me! You're gonna marry her and then leave for work every morning in a suit and then change into a uniform in the car!

 

KEVIN

Okay! I'll tell her.

 

PAUL

Yeah! That's what you've been saying ever since you first talked to the recruiter!

 

KEVIN

I'll tell her tonight. Now.

 

They silence abruptly as Winnie returns to her seat. Paul glares impatiently at Kevin.

 

EXT DUSK- THE RUYSDAEL CAMPUS.

Kevin, Winnie and Paul exit the dining hall, Paul continuing his impatient glare toward Kevin.

 

KEVIN

Winnie. You... want to go for a walk?

 

WINNIE

Sure

 

PAUL

I'm gonna head back to the dorm. I'll see you guys back there.

 

Paul walks off toward the dorm.Kevin places his arm around Winnie's shoulders as they walk.

 

ANOTHER ANGLE shows Kevin and Winnie walking up onto the campus green, a large expanse of well-trimmed grass and shade trees running between the rows of ivy-covered academic buildings. She rests her head on his shoulder and squeezes him tight around the waist.

 

WINNIE

Isn't this a beautiful campus?

 

KEVIN

Yeah.

 

WINNIE

It's gonna be great here! Everything's so perfect! You and I...

(looking at Kevin)

You know, Kevin, you never did tell me who it was who gave you your scholarship.

 

Kevin blinks, then looks at her.

 

NARRATOR

And there it was. The inevitable.

 

KEVIN

Winnie...

 

NARRATOR

Which is not to say that the inevitable can't be presented in the best possible light!

 

KEVIN

You know, they didn't just give me a scholarship. They guaranteed me a job after graduation, working for them.

 

WINNIE

Really?

 

KEVIN

With a starting salary of over twelve thousand a year.

 

Winnie looks at him in amazement as they stop walking.

 

WINNIE

Twelve thousand a year?

 

KEVIN

Yeah. Isn't that great? I mean, even if you don't work, the two of us could live very comfortably on that alone!

 

NARRATOR

Which was true. Remember, it was 1974, before years of double-digit inflation. A three-bedroom house cost less back then than most cars do today.

 

WINNIE

Kevin, this sounds too good to be true!

 

KEVIN

It's true, Winnie.

 

Winnie hugs him, smiling and closing her eyes.

 

WINNIE

Then everything is perfect.

 

KEVIN

Yeah.

 

He looks at her guiltily. She looks back at him, and her ecstasy fades.

 

NARRATOR

Well, I'd taken the best possible light as far as it would go. And now the look on my face told both of us that it was time.

 

WINNIE

So. Who are "they"?

 

KEVIN

The... the government.

 

Winnie turns pale, her heart sinking rapidly.

 

WINNIE

What exactly do you mean, "the government"?

 

KEVIN

(breathing deeply)

The U.S. Army.

 

Winnie flinches, almost as though punched in the stomach.

 

WINNIE

(voice breaking)

And the job after graduation?

 

KEVIN

I... I go through the R-O-T-C program here at Ruysdael. And after graduation, I serve four years as an officer, starting as a second lieutenant.

 

Winnie grimaces in anguish, then turns her back to him and puts her face in her hands. Kevin looks at her helplessly for several seconds, placing his hand on her shoulder.

 

NARRATOR

And I guess I knew there was one more inevitable question coming.

 

Winnie wipes her eyes and slowly turns back toward Kevin, then looks hurtfully at him.

 

WINNIE

Kevin, why didn't you tell me about this first?

 

KEVIN

I... I was afraid to, Winnie. I was afraid you'd talk me out of it. Afraid you'd insist on going to Dixon State with me. Or worse, my being stuck at Dixon State, with you up here...

 

The pain in Winnie's eyes gradually, subtly shirts from that of anger to that of empathy.

 

KEVIN

...instead of what we have now. I was afraid of our being apart. Afraid of... of Paris.

 

WINNIE

Oh.

 

KEVIN

You know, Winnie, nothing's really changed from a minute ago, when you were saying how perfect everything was. It's just a job. A good-paying job that'll support both of us. And it won't be like when...

(hesitating)

... like back in 'Sixty-Eight. Vietnam's over. And because of what happened, there's no way we're gonna get into another war anytime I'll be in. And after the four years are up, we're free to do whatever you want.

 

Winnie looks at him, still showing pain.

 

NARRATOR

I'd prepared myself for any possible reaction from her. A cry. A scream. A slap in the face. Walking out of my life forever. But what I got was...

 

WINNIE

I'd like to go back to my room now.

 

KEVIN

Are you okay? Are you mad at me?

 

WINNIE

I don't know! I don't know how I feel, Kevin. I'm just too... too overwhelmed right now....

 

She starts walking back toward the dormitory area. He walks with her, placing his arm around her shoulders, then leans over and kisses her on the eyebrow, but she stares blankly, neither rejecting nor reciprocating his affection.

 

EXT DAY- A MONTAGE OF SCENES

of the Ruysdael campus. It is springtime.

 

MUSIC: Life is a Rock by Reunion.

 

NARRATOR

Things were kind of touch-and-go for the next couple of months, but by Thanksgiving break, Winnie's and my relationship was pretty much back to normal. By the Spring of 1975, Paul, Winnie and I had settled into our new lives at Ruysdael and were getting ready to wrap up our Freshman year.

 

INT DAY- A CROWDED DINING HALL.

Kevin, Winnie, Paul and Maureen eat and banter together.

 

NARRATOR

In a lot of ways, it was like the old days when the three of us lived on the same block and went to the same school. We were maturing and making new friends, but we still did everything together.

 

INT DAY- A LARGE LECTURE HALL.

 

Kevin, Winnie and Paul sit together, taking notes as a PSYCHOLOGY PROFESSOR, with a beard and dressed in jeans, a plaid flannel shirt and workboots, lectures on Freud's defense mechanisms.

 

NARRATOR

We had a lot of classes together.

 

EXT DAY- THE COOPER HOME.

Kevin's car is at the curb. Kevin puts a suitcase in the trunk as Winnie embraces MR. & MRS. COOPER on the doorstep. She and Kevin get in the car, waving.

 

INT DAY-KEVIN'S CAR AS IT MOVES DOWN A HIGHWAY

with Kevin driving, Winnie next to him and Paul in the back seat, again bantering and laughing.

 

NARRATOR

Of course, we went home and came back together.

 

INT NIGHT- CLOSE SHOT

of Kevin and Winnie reading from the same textbook.

 

NARRATOR

And we did our homework and studied together.

 

The camera zooms back to show the interior of Kevin's and Paul's dorm room, Paul sitting on his bed, Kevin and Winnie on his, all three very casually dressed.

 

NARRATOR

One thing Winnie and I both loved was that great innovation of the 1970s, the co-ed dormitory.

 

INT- THE DORMITORY LAUNDROMAT.

Winnie helps Kevin sort his laundry. She grimaces briefly as she holds up a military olive green fatigue shirt with the name tape ARNOLD and U.S. ARMY above the pockets.

 

NARRATOR

And I guess, if Winnie wasn't too thrilled about my ROTCee scholarship, at least she had accepted that it was the only way for us to keep our promise to stay together.

 

END MUSIC.

 

EXT NIGHT- A WOODED AREA.

The camera pans across the woods to show several Army two-man shelters set up in bivouac. At one end of the bivouac area, Kevin and Paul lie prone among some bushes on a slight rise overlooking an open field. Both are dressed in fatigues and field jackets, with camouflage cloth-covered "steel pot" helmets and web gear, and each holds an M-16 rifle with a blank adaptor.

 

NARRATOR

March, 1975. Paul and I had just celebrated our nineteenth birthdays and were on our first field exercise with the cadet corps at Ruysdael.

 

KEVIN

So, are you sorry I talked you into signing up with me?

 

PAUL

No, this isn't bad at all. Besides, I can drop out anytime I want to, no strings attached, no questions asked. Or go in the Guard or Reserves after I finish the program. I haven't signed my life away yet! And I still can't believe you didn't talk to Winnie about it first.

 

NARRATOR

Okay, I was a craven coward! But what I kept telling myself-and everyone else-- was...

 

KEVIN

Hey! I wanted to surprise her! And don't think I didn't appreciate your playing along with it!

 

PAUL

Yeah, you surprised her, all right!

 

KEVIN

(grins)

That look on her face! She was on Cloud Nine for days... and I don't think she took the news too badly. Considering.

 

PAUL

Uh huh.

 

KEVIN

It could've been a lot worse. She could have walked out of my life and never spoken to me again. I knew she'd come around after a while.

 

PAUL

You really think she's accepted it?

 

KEVIN

I think she realizes that she and I would both be pretty miserable right now if I'd ended up at Dixon State.

 

PAUL

I just hope that being together here is worth four years in the Regular Army.

 

KEVIN

Paul, will you quit making it sound like I've sold my soul? You seem to be enjoying this grunt stuff more than I am! Besides, I think what sold Winnie on this whole deal was my having a guaranteed job after graduation. How many other Freshmen can say that? Hell, we're set! In fact, right now I can't think of too many reasons why we can't get married sometime before graduation!

 

PAUL

Have you actually talked to her about getting married since you told her about the scholarship?

 

KEVIN

Well... not really....

 

NARRATOR

I mean, hey! I figured ever since were little, Winnie and I had always known deep down, without ever talking much about it, that marriage was waiting for us somewhere down the road. We'd been more or less engaged to be engaged since the summer after Tenth Grade.

 

PAUL

Kev, is Winnie prepared to spend at least four years being married to an Army officer?

 

KEVIN

Paul, we're still Freshmen! She's got the next three years to get ready for it....

 

NARRATOR

Yeah, when you're nineteen and in love, that's the way you think!

 

PAUL

(looking squarely at Kevin)

Let me rephrase that. Is Winnie prepared for you to spend four years in the Army? I mean, it wouldn't be any big deal for almost any other girl. But Winnie...

 

KEVIN

Paul, it's been almost seven years since... Well, Vietnam's been over for over two years now.

 

NARRATOR

Uh huh. That's more or less what I'd said to him, and to Winnie, when I first told each of them about the scholarship. But by March of 1975, something had changed.

 

PAUL

I don't think the Vietnamese on either side think it's over. Neither does the media.

 

KEVIN

There's no American troops left in 'Nam except advisors and Embassy guards. It's not our fight anymore. The South Vietnamese are on their own.

 

PAUL

Yeah, well, try explaining that to Walter Cronkite. Or to all those weirdo radicals who spit on our uniforms and put graffiti on our building!

 

NARRATOR

You heard right, folks. Our building. Paul and I had kind of found a home away from home in Army ROTCee.

 

Kevin and Paul hear footsteps and rustling sounds in the brush behind them. Kevin glances over his shoulder while Paul quickly rolls over from the prone position and sits up, leveling his M-16 at the source of the noise.

 

PAUL

Halt! Who's there?

 

FRANKIE MOLINA and GARY ROBBINS, two other Freshman cadets, appear as shadowy outlines in the darkness.

 

GARY

It's me, Paul. Gary. And Frankie's with me.

 

PAUL

What's the password?

 

GARY

Aw, come on, Pfeiffer! You know it's us!

 

PAUL

And you know the procedure!

(more firmly)

What's the password?

 

There is a brief silence.

GARY

Hey, Frankie! What's the password again?

 

FRANKIE

(sighs)

Donkey! What's the countersign?

 

PAUL

Impact.

 

FRANKIE

You are relieved.

 

Kevin and Paul stand as Frankie and Gary come up to them, also with field gear, helmets and M-16s.Frankie is a swarthy, muscular youth with a thin moustache, while Gary is tall and lanky with a wisp of blond hair protruding from the front of his helmet.

 

FRANKIE

So how you guys doin'?

 

KEVIN

Okay. We had a pretty quiet shift.

 

PAUL

Yeah. We didn't hear or see anything.

 

GARY

Good.

 

Gary drops to the prone position and lays his M-16 in front of him. Frankie takes a few steps with Kevin and Paul as they head toward their shelter.

 

FRANKIE

(laughs and shakes his head, then whispers)

"Come on, Pfeiffer, you know it's us!"? God, what did I do to get paired up with this doofus? He thinks a kill zone is pizza dough stuffed with ricotta cheese!

 

PAUL

Have fun, Frankie.

 

Paul pats Frankie on the shoulder, and then Kevin and Paul continue across the bivouac area while Frankie returns to the Observation Post.

 

Kevin and Paul come up to their two-man shelter. Paul deftly removes the magazine from his M-16, clears the chamber, catches the blank cartridge as it ejects, reinserts the cartridge into the magazine and places the magazine in the pouch on his web belt.

 

PAUL

Hey, don't forget to clear your weapon! I'd hate to have you roll over in your sleep and end up busting our eardrums!

 

Kevin starts fumbling with his M-16.

 

NARRATOR

It was amazing! I'd dragged Paul into the Army ROTCee program with me, practically kicking and screaming, and now he'd turned into Sergeant York and Audie Murphy rolled into one!

 

KEVIN

How do you do this again?

 

He follows Paul's directions as Paul speaks.

 

PAUL

It's the button on the right side forward of the trigger. Take out the magazine, then pull back the charging handle. And be ready to catch...

 

Kevin clears the chamber of his M-16, sending the cartridge tumbling onto the grass at their feet.

 

KEVIN

Uh, I lost it!

 

They both kneel down and pull their GI flashlights from their suspenders, then shine the red-filtered lights on the ground around them. Kevin finds the cartridge and picks it up.

 

PAUL

Maybe you should go into artillery or armor when you graduate. Their bullets are a lot harder to lose!

 

INT NIGHT- THE TWO-MAN SHELTER.

Two sleeping bags are laid out side by side on inflated air mattresses. Kevin and Paul crawl inside, then lay their M-16s, helmets and web gear between the sleeping bags, then lie down.

 

KEVIN

(grinning boyishly)

Isn't this great? Just like the good old days! You know, like in my back yard when we were kids?

 

PAUL

Only more fun!

 

KEVIN

Yeah. Better toys to play with. And a bigger yard!

 

PAUL

Well, yeah... but on the other hand, your standard Government Issue two-man shelter is a lot smaller than your old tent was back home.

 

NARRATOR

Or maybe we were just a lot bigger. It had been years.

 

EXT NIGHT- CLOSE SHOT of a pair of hands holding an artillery simulator and pulling the safety pin.

 

A WIDER ANGLE reveals the hands belonging to CAPTAIN THOMAS WARD. He is a young but wizened officer of about 30, with a rugged look and build, dressed in fatigues, steel pot and web gear with a Colt .45 automatic in a hip holster. He wears the crossed sabers of the Cavalry branch on his shirt collar and the rampant black horse shoulder patch of the 11th Armored Cavalry Regiment on his right shoulder, the place for a past wartime unit patch.

 

NARRATOR

And of course, we realized that things were never going to be exactly like the good old days.

 

Capt Ward lobs the artillery simulator into the woods on the edge of the bivouac site. It WHISTLES as several offscreen voices scream "INCOMING!" As the simulator EXPLODES, Kevin, Paul and the other cadets in the bivouac area scramble out of their shelters, putting on their helmets and web gear, loading their M-16s and forming a defensive perimeter. More artillery simulators explode, and parachute flares and star cluster flares light up the area.

 

Kevin snags his foot on the support pole of their shelter as he and Paul crawl out, collapsing it. He and Paul run to a position near the Observation Post and lie prone. Another platoon of cadets appears in the woods at the edge of the open field, and an intense firefight with blank ammunition ensues.

 

EXT DAWN- THE BIVOUAC AREA.

The two platoons of cadets are gathered in a circle with Capt Ward and TWO SERGEANT INSTRUCTORS conducting an after-action review. Frankie stands with Kevin and Paul.

 

NARRATOR

You met all different kinds of people on a college campus in the Seventies. But for me, some of the most memorable were those associated with ROTCee at Ruysdael. And topping the list was Assistant Professor of Military Science and Commandant of Cadets, Captain "Mad Tom" Ward.

 

Capt Ward leads Frankie into a discussion about his part in the firefight.

 

NARRATOR

He hadn't been at Ruysdael very long when Paul and I started, but he'd become quite a legend. Most of that reputation and the nickname "Mad Tom" had followed him from Vietnam where he'd done two tours in the Cavalry and earned the Purple Heart and every combat medal but the Medal of Honor.

 

The discussion degenerates into an argument between Frankie and an UPPERCLASSMAN who admonishes him, Kevin, Paul and Gary.

 

UPPERCLASSMAN

Well, you shouldn't have left that gap in your sector! You screwed up again!

 

CAPT WARD

(loudly)

Yo!

 

He raises his arm to get their attention; the cadets freeze in awed, fearful silence as he continues softly.

 

CAPT WARD

Guys, it doesn't matter who screwed up. It doesn't matter how many times you screw up. As long as nobody gets hurt for real and no property gets damaged, this is the place to screw up.

 

NARRATOR

He wasn't anything like we imagined a military training instructor would be. He didn't fit the stereotype.

 

CAPT WARD

As long as you learn something from each screwup that you can file away for future use, and you do your best to keep from making the same screwup over and over, that's more valuable than getting things right. I'd rather have each one of you get shot a thousand times with blanks out here if it keeps one of you from getting shot once with a real bullet on a real battlefield.

(turns to Kevin)

Kevin, how could you have covered that flank without leaving a gap in your front?

 

KEVIN

Claymores?

 

CAPT WARD

(nods)

Frankie, what's your solution?

 

FRANKIE

Well, Claymores might hold them off at first, but not in a sustained attack. Once they're used... I say we could have taken one man and put him way out on the flank and forward to hit the flankers on their flank.

 

PAUL

(raises hand)

Naw, then you're writing the guy off. And once he's been blown away, you've got the same problems as when the Claymores are used up, plus one sure casualty. What is the solution, Captain?

 

CAPT WARD

(shrugs)

Beats the hell out of me!

 

There is stunned silence, then the cadets laugh.

 

NARRATOR

He was easygoing and down-to-earth. He had a sense of humor. He called each of us by our first names, and you kind of knew that he wouldn't have minded if you called him Tom or even Mad Tom to his face. But none of us would dare to even think about it.

 

CAPT WARD

Seriously, there is no quote-unquote solution. This is a game, guys! Just like football or basketball, you try something one day and it might work, another day you might get the crap kicked out of you. You think out your options, you weigh the risks, you prepare for as may contingencies as you realistically can, then you go for it. It's a game but it's a high stakes game. A lot higher stakes than with these pro athletes who think the universe revolves around the Super Bowl or the World Series. This is Life or Death!

 

NARRATOR

The man had our respect without ever having to ask for it. He had a sense of humor but he took his job seriously. He was a professional. In short, he didn't fit the stereotype of the military training instructor, but he was an officer and a gentleman.

 

CAPT WARD

Paul, you did say something that I want all of you to think about. You're going to have to expose some of your troops to high risk, but you never write a man off. Sure, it's easy to theorize and hypothesize, but when you're dealing with someone you know-- someone whose family you're going to have to write to if he doesn't make it-- it's a lot different. Suicide missions are not the way we do things, and that's what makes us different from most of our enemies.

 

EXT DAY- A PAVED ROAD RUNNING THROUGH THE WOODS.

An Army van is parked on the shoulder and the cadets are lined up at the rear, turning in their M-16s and helmets to the two sergeants and putting on baseball-style fatigue caps. Capt Ward leans casually against the side of the van, still wearing his helmet.Kevin, Paul and Frankie turn in their weapons and helmets, giving their last names and reading off the rifle serial numbers. As Frankie removes his helmet, we see that he has a high-and-tight crewcut while the rest of the cadets have hair barely short enough to meet military grooming standards, if that.

 

NARRATOR

That was Frankie Molina, another memorable character. Frankie was a Freshman from the suburbs like me and Paul, and he was on scholarship like me. But he was a little more intense than we were about the military.

 

They sit at the edge of the woods with the others.

 

FRANKIE

It still bothers me that we can't march back to campus with the rifles and helmets! It's like we're ashamed of being soldiers.

 

PAUL

It's another ten pounds we'd have to carry, that's why.

 

KEVIN

Besides, Frankie. Haven't you ever heard of Kent State? People on civilian college campuses get very nervous if they see men marching around in fatigues and helmets and carrying rifles.

 

FRANKIE

Of course I've heard of Kent State! It's one of the darkest days in American history!

(pauses)

A National Guard unit fired seventy-three rounds into a crowd and only killed three protesters, and one ROTCee cadet who wasn't even in the kill zone!

 

This draws a mixed reaction from the other cadets. Some laugh and cheer, others, including Kevin and Paul, give him a "What? Are you crazy?" look.

 

NARRATOR

Make that a lot more intense than we were.

 

CAPT WARD

Frankie, you're a man after my own heart!

(holds both hands over his chest)

But you're not going to get it!!!

 

Everyone laughs. Frankie eyes Capt Ward's pistol.

 

FRANKIE

(softly to Kevin and Paul)

Can't wait 'til I'm an officer, and can carry a weapon any time I want.

 

NARRATOR

Actually, in Captain Ward's case, he didn't get to carry a pistol because he was an officer. He got to carry it because he was Mad Tom Ward. Nobody in his right mind who knew him would try to make him take it off.

 

CAPT WARD

(loudly to Kevin, Paul and Frankie)

By the way, guys. To tell you the truth, I wouldn't know about Kent State. I wasn't around at the time.

(pauses and grins)

I was in Cambodia, committing all those unspeakable crimes against humanity that they were protesting!

 

The last cadet turns in his rifle and helmet and is handed a guidon by one of the sergeants. ANOTHER UPPERCLASSMAN stands before the cadets.

 

UPPERCLASSMAN

Okay! Fall in, column of twos!

 

The cadets put on their field packs and fall in with the guidon bearer to the fight front, Kevin and Paul toward the rear and Frankie behind Kevin. One of the sergeants closes the back doors of the van and opens the side door.

 

SERGEANT

(to Capt Ward)

You coming, Captain?

 

CAPT WARD

No, you guys go ahead. I'll march in with the troops.

 

He removes his helmet and puts it in the van.

 

NARRATOR

Oh, yes. There was one other thing about Mad Tom Ward. By the time of the Vietnam War, the U.S. Cavalry no longer rode into battle on horseback, of course, but in tanks and armored personnel carriers and helicopters.

 

Capt Ward reaches into the van, then puts on a black Civil War era cavalry officer's slouch hat with gold acorn cord, then removes his web gear, straps on a leather sword belt with a Civil War cavalry saber on it, then transfers his .45 automatic to a long revolver-style holster on the sword belt.

 

NARRATOR

But you couldn't tell him that. He was such a hard-core John Wayne horse-cavalry traditionalist, legend had it that the reason he'd been so eager to volunteer for Vietnam was because he thought he was going to be fighting Rebs, not Reds!

 

Capt Ward takes position alongside the column, grinning boyishly. He draws the saber and holds it in the carry position as the van pulls out and drives down the road.

 

CAPT WARD

Company! Forward, harch!

 

He waves the saber forward and returns to the carry position. He and the column march forward after the van.

 

A NEW ANGLE shows the column proceeding down the road out of the woods toward the Ruysdael campus about two miles distant.

 

UPPERCLASSMAN

(as a Jody Call)

Old King Cole was a merry old soul, and a merry old soul was he!

 

ALL CADETS

Old King Cole was a merry old soul, and a merry old soul was he!

 

UPPERCLASSMAN

He called for his fife and he called for his drum and he called for his privates three!

 

ALL CADETS

He called for his fife and he called for his drum and he called for his privates three!

 

UPPERCLASSMAN

"I wanna three day pass!" said the privates!

 

ALL CADETS

"I wanna three day pass!" said the privates!

 

UPPERCLASSMAN

Fighting men are we!

 

ALL CADETS

Fighting men are we!

 

UPPERCLASSMAN

There's nothing so fair that it can compare with the Armored Cavalry!

 

ALL CADETS

There's nothing so fair that it can compare with the Armored Cavalry!

 

EXT DAY- THE RUYSDAEL CAMPUS.

The column marches through the university gateway and goes through the dormitory section of the campus. Capt Ward starts singing She Wore a Yellow Ribbon in time to the marching, and the cadets pick it up, standing tall as they sing. They move toward Kevin's dorm building, where a number of students sit on the lawn, studying and enjoying the spring weather, including Winnie. Upon hearing the singing, she gets up and steps toward the walkway as the column passes. Kevin and Paul turn their heads slightly, smiling and making eye contact with Winnie as they sing. She lifts one hand and waves her fingers at them.

 

NARRATOR

Yeah, you had to hand it to Captain Ward. He made us feel proud. He made us feel good about ourselves.

 

There are obvious mixed emotions on Winnie's face: deep love and affection for both Kevin and Paul, but also much pain and anxiety. Capt Ward notices Winnie and stares at her for several seconds with an uncharacteristic melancholy and haunted look. Winnie notices him staring, glances him over and then turns her head away from him.

 

NARRATOR

It was straight out of a John Wayne movie: a rite of passage into American manhood; male bonding under a flying guidon; soldiers standing heroic and tall, marching and singing before the adoring eyes of the women we loved, and the appreciative, esteemed gaze of the public we faithfully served....

 

As the cadets finish the song, the column passes through the campus green between the academic halls. On one side is the Army ROTC building. Opposite the building, a half dozen STUDENT PROTESTORS including BAXTER SCHULTZ, walk in a circle, carrying signs which read "Peace Now!"; "U.S. out of Vietnam"; "ROTC off Campus!" etc.

 

BAXTER

(screams)

Nazi Storm Troopers!

 

PROTESTOR

Imperialist tools!

 

The cadets and Capt Ward march on, most of the cadets with contempt on their faces as the epithets continue.

 

NARRATOR

Well, before the adoring eyes of the women we loved, anyway. After all, this was the Nineteen Seventies!

 

FRANKIE

(as a Jody Call)

You can sneer and you can laugh!

 

ALL CADETS

You can sneer and you can laugh!

 

FRANKIE

But you won't when they bring back the draft!

 

ALL CADETS

But you won't when they bring back the draft!

 

FRANKIE

Yeah, you can yell at us with slander!

 

ALL CADETS

You can yell at us with slander!

 

FRANKIE

But one day I'll be your commander!

 

ALL CADETS

But one day I'll be your commander!

 

FRANKIE

Am I right or wrong?

 

ALL CADETS

You're right!

 

FRANKIE

Correct me if I'm wrong!

 

ALL CADETS

You're right!

 

FRANKIE

Sound off!

 

ALL CADETS

One, two!

 

FRANKIE

Once more!

 

ALL CADETS

Three, four!

 

FRANKIE

Cadence Count!

 

ALL CADETS

One, two, three, four, one, two... threefour!

 

Capt Ward halts the column at the rear entrance to the Army ROTC building. It is a two-story building which blends in with the other academic buildings on the campus green, with a plain white sign beside the doorway which reads "Department of Military Science." The walls are marred by two prominent painted graffiti: a blood red "Murderers!" and a large black peace symbol. Capt Ward tells the column to fall out, then sheathes his saber. The cadets drop their field packs and head toward the building.

 

NARRATOR

There was one thing you could definitely say about Frankie Molina. You could always count on him to say, and do, the things the rest of us young, impressionable Freshmen were too inhibited to.

 

Frankie steps up to the peace symbol graffito and stares thoughtfully at it.

 

FRANKIE

Captain Ward?

 

CAPT WARD

Yes, Frankie?

 

FRANKIE

Sir, is the university maintenance ever going to clean up this wall?

 

CAPT WARD

(shrugs and smiles cynically)

Well, we put in the work order three weeks ago, so don't hold your breath!

 

FRANKIE

Well, sir, since we've gotta wait anyway...

 

Frankie reaches into his field pack and pulls out a bottle of liquid shoe polish. By using it to paint engines, horizontal tailfins and a string of bombs, he turns the broken-cross portion of the peace symbol into a planform view of a B-52 on a bombing run.

 

NARRATOR

Yeah, 1975 was a crazy time.

 

INT DAY- KEVIN'S AND PAUL'S ROOM AT RUYSDAEL.

Kevin and Paul wear khaki summer Class B uniforms. Paul sits on his bed buffing his shoes while Kevin inspects himself in the mirror. Winnie sits on Kevin's bed, holding a notebook and a political science textbook on her lap. A small black and white TV is on, with a news program reporting on the North Vietnamese invasion of the South.

 

WINNIE

Do you guys really need to wear your uniforms to Poli-Sci class?

 

KEVIN

(shrugs)

Well, we've got Military Science right afterward, and we really don't have time to rush all the way back here and change.

 

PAUL

(laughs)

What's the matter, Winnie? You ashamed to be seen in public with us in uniform?

 

Winnie hesitates, partially distracted by the TV news.

 

WINNIE

No!

(smiles and shakes her head)

It's just that you guys take so much abuse in that class!

 

INT DAY- A CLASSROOM.

Kevin and Winnie sit near the back of the class, Paul on Kevin's other side, Frankie in front of Paul and also in uniform, the three conspicuous among about fifteen OTHER STUDENTS. The shades are down. Professor BEN KLINGHOFF stands at a projector at the back, showing the Leni Riefenstahl documentary Triumph of the Will.

 

NARRATOR

Actually, being in ROTCee in 1975 was no big deal. Other than having to keep your hair short with no beard, and wearing a uniform two periods a week, you were just another student.

 

On a screen at the front, we see scenes of Hitler being welcomed by the townspeople of Nuremberg; Hitler Youth children participating in boisterous competitive sports; Storm Troopers goose-stepping in review before a cheering populace; Hitler walking up an aisle in the midst of thousands of SS and Storm Troopers in perfectly aligned ranks, to stand and address them from a marble Roman-style forum with flying swastika flags and sculpted Nazi eagles atop columns. The film ends, and Klinghoff, a short, balding, mustached man in his forties, shuts off the projector.

 

KLINGHOFF

Lights, please!

 

Students raise the curtains and turn on the lights.

 

KLINGHOFF

Any comments?

 

1ST STUDENT

Pretty shallow piece of propaganda!

 

2ND STUDENT

I can't believe this film won so many awards. The propaganda aspects were so obvious!

 

1ST STUDENT

That's cause the boor-geese classes of the world gave their tacit endorsement to Hitler's genocide and oppression!

 

FRANKIE

Or maybe it's because, when this movie was made in 1936, the world couldn't have known about the genocide. Most of the concentration camps hadn't been built yet, and there were no credible reports outside Germany about those that did exist.

 

2ND STUDENT

A rather biased opinion, isn't it?

 

FRANKIE

No, I'm just citing the historical record here....

 

1ST STUDENT

A historical record created by the boor-geese class who chose to turn a blind eye to Hitler's oppression.

 

Kevin and Paul look at Frankie, ready to jump to his aid. Winnie squirms anxiously in her seat.

 

KLINGHOFF

Okay, so what other feelings did you have watching this?

 

3RD STUDENT

I got chills down my spine! Seeing them use the eagle, the symbol of fascist oppression... I could almost see the fascist eagle spreading its oppressive wings over all of Europe!

 

FRANKIE

Sure! In twenty-twenty hindsight after World War Two's been over for thirty years!

 

KLINGHOFF

Well, actually, the eagle wasn't the traditional symbol of Fascism....

 

NARRATOR

There! No reason to get paranoid and defensive over all this!

 

KLINGHOFF

It's a much older symbol... of European Imperialism!

 

Kevin and Frankie look at each other, and then at the American Eagle crests on their uniform garrison caps which sit on their desk tops. Kevin slowly slips his cap off the desk and under his seat as Winnie looks sympathetically at him.

 

NARRATOR

On the other hand...

 

KLINGHOFF

What other feelings did it stir up? How about those scenes with the Hitler Youth, playing all those games and drinking milk? Didn't it make it look like the Hitler Youth was the most wholesome children's club in the world? Didn't you just want to join in on all the fun?

 

Kevin, Paul and Frankie smile cynically at Klinghoff while the remainder of the class except Winnie shake their heads in denial. Winnie continues her sympathetic look toward Kevin and Paul.

 

1ST STUDENT

No, that was too blatant and naked a ploy by the Nazis, to lull the boorgeese into a false sense of security.

 

FRANKIE

That's bourgeoisie!!!

(whispers to Kevin and Paul)

Dumb-ass would-be radical doesn't even know how to pronounce his own rhetoric!

 

KLINGHOFF

Well, then. How about those scenes at the rally itself? How did you feel, seeing those tens of thousands of SS Storm Troopers lined up in mass formation?

 

3RD STUDENT

That really gave me chills. They looked like neatly trimmed hedges at first. Then I realized they were men. The same men who ran the death camps and killed all those millions!

 

KLINGHOFF

But didn't the image make you wish you were one of them? Didn't you wish you could stand there in those ranks and be one of Hitler's all-powerful elite guard?

 

There is more head-shaking in denial among the class.

 

4TH STUDENT

(to Frankie, Paul and Kevin)

I'm sure you guys did! After all, ROTCee does rhyme with Nazi!

 

NARRATOR

Ooohh!!!

 

The three flush with rage, especially Frankie, with Winnie wincing in pain for Kevin, as the rest of the class laughs with some applause.

 

FRANKIE

(softly to Paul and Kevin)

Lock and load! Fix bayonets!

(calmly and evenly to the rest of the class)

No, that's just not the way it is....

 

KLINGHOFF

Oh, come on, Mr. Molina! Surely it must have stirred up your Fascist blood!

 

Frankie flushes even redder, his jaw hardening, his fists clenching.

 

NARRATOR

We sat there, bracing ourselves, waiting for Frankie Molina to explode into a homicidal rage. And then it happened.

 

Paul stands up suddenly.

 

PAUL

Look, we don't have to take this crap! Doctor Klinghoff, with all due respect, sir! Excuse me, but if it weren't for some other men who wore this uniform, this country would be a Fascist state! Only you and I wouldn't be around to see it! I would've never been born, and my parents would have been gassed and cremated in a concentration camp. Along with you and your family, Doctor Klinghoff! So get off our case, will you? Sir! Please!

 

The entire class, including Klinghoff and especially Kevin and Winnie, is shocked into total silence.

 

NARRATOR

Yep, you were just another student!

 

EXT DAY- THE CAMPUS GREEN.

Kevin, Winnie, Paul and Frankie walk from the Poli-Sci class down the length of the green toward the Army ROTC building. Winnie remains quiet and pensive for most of the conversation.

 

KEVIN

Hey, Paul! You're really eating up all this Army stuff, aren't you!

 

PAUL

Hey! I don't know about you guys, but that "ROTCee rhymes with Nazi" crap really got to me!

 

KEVIN

Yeah, but I've known you all my life, and this is the first time I've ever seen you tell off any teacher!

 

PAUL

Klinghoff's a pompous ass! We don't have to take this crap!

(laughs)

Besides, if I hadn't said something first, Frankie would have killed him!

 

FRANKIE

Nahhh! Rearranged his face a little, but not killed him....

 

PAUL

(to Frankie)

Seriously, though, it's about time someone else besides you got a few good lines in!

 

KEVIN

God! I've created a monster!

 

They slow down as Paul looks at Kevin.

 

PAUL

Hey, Kev. I don't know if you realize this or not, but I'm no longer in this just because you need a buddy to be in the program with you. I like the program! I'm probably going to finish it and accept a commission. At least in the Guard or Reserves.

 

Winnie becomes visibly bothered by this.

 

KEVIN

(laughs)

God, I have created a monster!

 

PAUL

No, if anyone's created a monster, it's Captain Ward. He's really shown me that soldiering is an honest and respectable profession, just like optometry or law or teaching. Certainly an honorable profession if not outright noble.

 

WINNIE

(skeptically)

Captain Ward. He's the one who wears the black cowboy hat and the sword when you guys are marching, right?

 

FRANKIE

Cavalry hat. And saber.

 

KEVIN

Yeah, that's Captain Ward, all right.

 

WINNIE

He gives me the creeps....

 

KEVIN

What?

 

FRANKIE

Mad Tom Ward gives you the creeps!

 

WINNIE

There's just something about him that I don't like.... Something that frightens me.

 

KEVIN

Hey, come on! You've never even really met him! He's a helluva nice guy!

(takes her hand)

As a matter of fact, we've got a few minutes before class starts. Why don't you come in and I'll introduce you!

 

WINNIE

No!... No, thanks!

 

PAUL

Nothing to be afraid of, Winnie! You'll like him. He doesn't bite!

 

FRANKIE

Yeah! He might even end up recruiting you! You know, we don't have very many women, but ROTCee has been co-ed for a couple of years now.

 

Winnie gives Frankie a brief, exasperated glare and then gives Kevin a pleading look. He lets go of her hand and she walks on toward the dorm as the three boys enter the Army ROTC building.

 

NARRATOR

And so, off we went to Military Science class, to learn how to kill and eat babies and operate concentration camps.

 

INT DAY- A CLASSROOM IN THE ARMY ROTC BUILDING.

Capt Ward conducts the class with Kevin, Paul, Frankie, Gary Robbins and several other cadets, all in summer khaki uniforms. On the chalkboard behind hind is written:

 

Factors in Military History analysis:

Political

Economic

Religious

Social

Technological

 

CAPT WARD

Okay, good. Can you think of any other long term effects of the Gettysburg Campaign?

 

CADET

Well, it gave General Custer a big head that got him killed a few years down the road!

 

There is some laughter among the class.

 

CAPT WARD

Okay, we'll go into more detail about the emergence of the Union Cavalry later. But how many of you think that that's a valid assessment?

 

Three other cadets including Gary raise their hands. Capt Ward nods.

 

CAPT WARD

Yeah, you know, even the current Army manuals and textbooks on Armored Cavalry operations take cheap shots at Custer. Okay, to digress a little here, this is just Mad Tom Ward's personal opinion here, but let's say you served brilliantly and heroically for fifteen years, and then one day got killed under circumstances where there were no reliable witnesses who survived. The only eyewitnesses were all on the other side and even they conflicted. And the evidence says maybe, maybe you screwed up. I'm not asking for an answer here. Just ask yourself: would you want to have your fifteen years of brilliance erased, and be remembered only for that one screwup that may or may not have happened?

 

NARRATOR

It was kinda strange. And sad. You could see in his eyes that Mad Tom Ward, the hardcore John Wayne traditionalist, was hurting. And you knew he wasn't just hurting over some dead historical figure from a hundred years ago.

 

FRANKIE

Kinda like Richard Nixon!

 

The class laughs, and Capt Ward smiles.

 

CAPT WARD

Kinda like a lot of people I can think of. Okay, what are some of the other long-term effects of Gettysburg?

(points to chalkboard)

Let's go back to these five factors. What about some of the effects on the political situation?

 

PAUL

I'd say the biggest political effect had to be that it killed off the possibility of the British recognizing the Confederacy.

 

FRANKIE

No, didn't that pretty much happen earlier with Antietam and the Emancipation Proclamation?

 

CAPT WARD

You're both right in a way. Okay, Kevin. What can you add to this discussion?

 

KEVIN

Well, the Emancipation Proclamation had made it